Oval’s
Oh signals a significant shift — in both cases to something more melodic, less fractured, than listeners might expect. While Autechre on
Quaristice employed recognizable synthesizer sounds (in contrast with rougher tonalities of the past), Oval’s
Oh often sounds like broken segments of raw recordings of a post-rock band in rehearsal. And whereas
Oversteps was, to me, a slight disappointment,
Oh so far is anything but.
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