April 17, 2010

Erothyme - Coincidentia Oppositorum (2009)

Coincidentia Oppositorum is a full-length PsyDM epic from Erothyme which is liable to propel you into the astral plane. It is unique and transformative and, while complete in its own right, will leave you ensured that the journey is truly only beginning. Prepare to have your third ear thoroughly stimulated.

Ahmad Szabo - Luck Has A Million Meanings (2006)

Alias of Prefuse 73, more on the experimental jazz/electronic side of things. Good stuff!

April 15, 2010

Flying Lotus - Cosmogramma (2010) (better rip)

Cut correctly, much better quality as well! This will leave quickly, I'm sure, so grab!

| Taken down |

April 14, 2010

AFX - Smojphace EP (2003)

The track rips that's all there is to it. For all you out there who are against AFX creating noise, the two noise tracks are great. I bet he has millions of tracks like run the place red and side b on his hard disks. This is also why he doesn't bother releasing much. If he did all the producers would sound like AFX for awhile. I think it's quite interesting how many people dismiss the latter two tracks on this disc. Aphex Twin's music is hardly restricted to dance idioms ~ SAW2 and Drukqs have demonstrated that all too clearly ~ & this is yet another example. To write off these tracks as "mere noise" is to fail utterly to appreciate a very different kind of music. It isn't data; it's music. Try to hear it...

Amon Tobin - Supermodified (2000)

This is a truly outstanding record. Pure atmospheric drum and bass that is NOT boring and repetitive, but rather exciting and uplifting. Tobin mixes old funk drums and snare rolls with vintage guitar/piano/noise samples, dark dnb synths and deep atmospheric soundscapes. Favorite track is Golfer vrs Boxer.

April 12, 2010

All-new Zomby tracks, including a collaboration with Actress (2010)

From Fader Mag:

However difficult you want to say Zomby is (not more than a couple hours ago he went on an extended twitter rant about meatheads, dubstep, journalists and Ableton), dude continues to push boundaries in all sorts of different directions. His trick is that it’s all wildly listenable and accessible—and, ultimately genreless. Unless you want to just call it dance music, which it is. Who knows if either “She Loves Me” or “She Loves Me Not” will ever be released on any kind of record, but for now you can stream them below or directly (along with a brief, significantly smoother untitled track) from his Soundcloud page.

Zomby keeps busy with a couple new collabos with another recent favorite Actress and a handful of insane solo jungle tracks that weirdly just gave us a flashback to Tower Records circa 1997.

The Flashbulb - Soundtrack to a Vacant Life (2008)

Soundtrack to A Vacant Life brings a more mature Flashbulb that is much more confident with his techniques and more sure of his place as a modern day musician. Every piece is carefully crafted to perfect detail and the short length of these tracks makes them even more special like precious little gems.

Definitely his best album so far, but also one of the best albums in this genre in the last few years, easily surpassing recent works of veterans in his field.

wAgAwAgA - ph-3.5.6 (2010)

More crazy breakbeat acid/chiptune from UK artist wAgAwAgA! If you like the spastic acid breaks stuff, you'll love this.

April 1, 2010

Vektordrum - Discret Night Signals (2010)

Rand 1: A nice intro to the rest of the album, sets the mood quite well
Rand 2: A dark, almost brooding ambient piece, with a very subtle 4/4 bass note (not exactly a kick, but just a bass), which is probably why it’s one of my favorite songs of the album.
Rand 3: Makes me think of the color blue, but a lighter shade, it also makes me feel that way. This is definitely going on my driving playlist. This is my favorite tune on the album, hands down.
Rand 4: This is my mental image when listening to this song: Seeing a futuristic spaceship take off just after the sun has set, and then walking through it, and looking at everything.
Rand 5: A good interlude, similar to the first track, but it seems to have more structure.
Rand 6: I’m not really sure how to describe this one.
Rand 7: I expected this one to go into full-on breakcore, due to the synth used on an older song, but it stayed fairly ambient. Really cool idea.
Rand 8: It’s similar to the lushness of track 3, but a little louder. I like it a lot, probably my second favorite of the album.
Celadon, movements 1-5: The opening bit of the first one made me think of holding hands with the girl I like, so I would consider that a plus. It then goes into a cross between the brighter lushness of tracks 3 and 8, but with the 4/4 bass of track 2, and then some hats. I think it’s a very good mix. It then goes into all ambient/drone. It sounded quite nice. I think these are going onto that driving playlist, too.

Mira Calix - Skimskitta (2003)


With her second LP, Skimskitta, Chantal Passamonte further sheds her former Warp Records publicist and current Mrs. Sean "Autechre" Booth identity to emerge more fully as Mira Calix. That is not to say Skimskitta heralds a voice previously unheard. Passamonte’s sometimes demo-like drifts build a circular boardwalk above recognizable shifting of artists such as Erik Satie, Seefeel, Philip Glass and Mike Ink’s Gas. But gone for the most part is the not-always-favorably-compared Autechre-like robo-funk schizophrenically dotted on Calix’s last full-length, One On One. Skimskitta is starkly personal, increasingly hermitic, resulting in only a handful of immediate rewards ("Woody," "I May Be Over There (But My Heart Is Over Here)," "You Open Always") and an investment demand. The shuffling stillness of the pause-free 21 tracks stands as Suffolk, England-based ambient isolationist contrast to Warp’s Sheffield, England-influenced piston-pong trademarks. Voices — of animates and instruments — whisper over gently scraping rake-through-rock-garden rhythm. While One On One had some memorable moments, Skimskitta is 61 moments of Passamonte’s longing memory.